This
was kindly suggested by my friend Pauline, who doesn’t share my fear of
heights. Feeling a bit punch drunk after
going down the giant Orbit slide, I thought I might as well make a day of it
and tackle this challenge as well.
Looking up at Tower Bridge, what struck me was not so much the size but
how much more attractive it is than the ArcelorMittal Orbit, as well as being
functional. I like a lot of modern
architecture but the Orbit doesn’t do it for me.
There
are actually two Glass Floor Challenges, although they are virtually
identical. You can see the glass panels
if you look at the middle of the enclosed walkways in the photo on the right. Ideally you’d want to walk across them when
the bridge is raised – always a special sight - so that you are looking
straight down into water rather than a combination of the river to one side and
the road to the other. However in the
winter it doesn’t open all that often and when it does, it’s frequently in the
evening when the Challenge is closed.
For anyone with vertigo, looking down onto flowing water is particularly
difficult as it seems to upset your sense of balance almost instantly. There were a few young people who were
clearly struggling, while their friends – in a group of about 100 French
schoolchildren – were cheerfully jumping up and down on the glass, to add to
their discomfort. It was crowded and
noisy but they very politely cleared a path when they realised this ancient
woman was approaching the edge and planning to walk across. While I gingerly walked onto the glass and
stared at the Thames below, and then lay down so that I could admire the view
of the river in the mirror above, I realised one of the children was attempting
a handstand behind me. It really wasn’t
possible to feel scared in those conditions, which was fine by me.
I
reckon I got off pretty lightly with this particular task and am happy to be
able to cross it off the list.
Incidentally if you wonder why I’m lying on the glass floor with my legs
in the air (while Peter is beside me, taking a photo), it’s because one of the
guides said it makes the effect more striking.
I’m not sure it does, but it was good exercise for my muscles as Peter’s
camera had a hissy fit and I had to hold the pose for ages. By the time I was vertical again, the French
lad had given up on the handstand and was rubbing his head ruefully.
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